Showing posts with label angus young. Show all posts
Showing posts with label angus young. Show all posts

Thursday, April 21, 2016

What Does Axl Rose Singing For AC/DC Mean For The Rock Or Bust Tour?



An official announcement has finally been made. Axl Rose will be singing for AC/DC on their remaining Rock Or Bust tour dates. These include a handful of US shows and a number of European shows. The rumors were out there for a while, and they were all but officially confirmed by a Young family member, so this really comes as no surprise. It’s just nice to have actual confirmation because now different speculations can begin.

Axl Rose singing for AC/DC is certainly an interesting proposition with so many dramatic themes that can play out over the course of the tour. Axl is known for being notoriously late to arrive on stage. He also has a reputation for being a demanding “prima donna” who has to have everything go just his way. He’s been known to flat out cancel shows at the last minute with no explanation at all. In general, he’s a big risk for any band to take on.

At the other end of this equation is AC/DC. Brian Johnson is now officially out of the band due to his hearing loss. He has made a statement that he needs time to heal and wants to carry on, at least in a studio capacity. He has made no mention of whether that means recording a new album with AC/DC, but rumors and speculation say that he is out of the band for good. In any event, AC/DC is moving on without Brian Johnson. And that’s a shame. It’s hard to imagine AC/DC without him at the helm.

And yet, Axl Rose singing for AC/DC opens a world of possibilities. At the Coachella festival Guns N Roses brought Angus Young onstage and performed two AC/DC classics. The first was “Whole Lotta Rosie,” and the second was “Riff Raff.” The latter is a song that has only been performed less than a handful of times since 1979. Meaning Brian Johnson has only sung it on the rarest of occasions.

It’s no secret that Axl Rose’s voice is more attuned to the Bon Scott style of vocals, and hearing him sing “Riff Raff” should leave die hard AC/DC fans salivating. This could mean a major change in the upcoming setlists for AC/DC. “Riff Raff” could be just the beginning. Having Axl on lead vocals could mean that a plethora of Bon Scott era songs get dusted off and performed for the first time in years! That thought alone has me thinking that I might need to take in one of the Axl shows.

Of course they are still going to play the Brian Johnson signatures. “Shook Me All Night Long,” “Hell’s Bells,” “For Those About To Rock” will all be performed in their usual rotation spot. And I am certain that the new songs will also be performed. But after that, well, it’s a whole new opportunity. There’s a reason that Angus and Guns N Roses performed “Riff Raff.” It was intended to make a statement. Message received.

If Axl Rose fronting AC/DC opens the door for multiple Bon Scott era lost classics to be performed live for the first time in nearly 35 years, I am all for it! Yes, I understand that it is not the same without Brian Johnson. Yes, I would love to see him fronting the band for years to come. However, I would also like to see some deep rare cuts performed and “Riff Raff” is a great start. “High Voltage,” “Rock And Roll Damnation,” and “Problem Child” would also be welcomed additions. Not to mention it would be amazing to see Axl’s take on “Let There Be Rock.” I have a feeling that he could really belt out that tune.

When I first heard the rumor that this could happen, my initial reaction was “Meh.” I was also wondering how AC/DC would react the first time Axl showed up late (or not at all). But seeing on time starts for Guns N Roses in Las Vegas and at Coachella, as well as hearing “Whole Lotta Rosie” live has me rethinking my reaction. I’ve gone from “Meh,” to “Hmmm….this could be really interesting.” And that could be the start of a journey that finds me at Madison Square Garden witnessing AC/DC history.

There is still a lot of time between here and there. But the first steps taken have been good ones. As of now, Axl Rose joining AC/DC appears to mean only positive things for the future of the Rock Or Bust tour. Let’s hope that it remains that way for the foreseeable future.

Monday, September 21, 2015

Concert Review: AC/DC - August 26, 2015




The first concert I ever saw was AC/DC. It was an experience that I have never forgotten. I have seen the band perform live a couple of times since and have always loved their brand of entertainment. AC/DC is full of energy and the crowd reaction to them is infectious. The band has never disappointed and always brings their best to the stage. So when the opportunity to see them live for their Rock Or Bust tour came up, I knew I was going.

It was my buddy Rick that talked me into getting the floor seats. I would have been quiet content with a seat in the 200s or 300s, but when I asked Rick what he wanted to do, he insisted that we go for the best available. “This may be the last time they tour,” he reasoned. It didn’t take much to convince me, I was in, and when tickets went on sale, we got our floor seats.

In the parking lot, pre-show, we made new friends of the people around us, some who had come as far as four hours away to see their rock heroes perform. These people were having a blast and were extremely excited to see AC/DC. We talked for a while about past concerts, their trip to the stadium, and how many times we’ve seen the band. Drinks and good cheer was exchanged all around. And then it was time to head inside.

We entered the stadium and found our seats with enough time to see some of the opening act. I don’t remember the group name, but I do remember that they were decent and could hold their own. I wouldn’t run out and buy their music, but they weren’t horrible to listen to. However, I wanted AC/DC to take the stage.

When the sun dipped down and the stars came out, the lights went dark and the crowd roared. The opening notes of “Rock Or Bust” filled the air and we were underway. AC/DC was back in New Jersey and conquering the near sold out crowd.

I am a big fan of the band’s latest album, so I was happy to hear “Rock Or Bust” open the show. I was also hopeful that we might hear a lot more from that album. Rock Or Bust is a solid album that fits in well with the rest of the band’s back catalog and there are quite a few bright spot songs. Unfortunately, at least to me, AC/DC stuck to their usual format and only played three songs from the new album. When a band has such a vast catalog to go through, I guess that’s understandable. 


AC/DC put on their usual kick ass performance. Angus was as fantastic as always, Brian Johnson sounded great, and the addition of Chris Slade behind the drum kit was a nice one. He was the drummer for the band 25 years ago when I saw my very first concert, so I hold a special place in my musical heart for him. And while it was sad to not see Malcom on stage, the Young nephew filled in just fine. Musically the band was in total synch and sounded as terrific as ever.

Age is starting to catch up with them however. Angus’ run around the stage and epileptic guitar solos are a little less intense. He no longer drops his shorts and flashes the crowd, which I guess is a good thing. Brian Johnson did not swing from the “Hell’s Bells” bell. Little things like that were noticeable enough to make me realize the band is getting on in years and perhaps this really could be their final tour.

The highlight of the night came in the form of a rare, unexpected treat from Back In Black. “Have A Drink On Me” was performed and I went wild. It is one of my all time favorite AC/DC songs, and also one that I never thought I would hear in concert. Seeing it performed live was the ultimate highlight of my night.

Elder statesmen as they may be, AC/DC still puts on a loud, raucous, entertaining rock concert. They performed for well over two hours and did their best to keep everyone in the stadium involved and happy. If this is truly the last time that I will be able to see the band in concert, then they left me on a high note. What more can you ask for?

Setlist
Rock Or Bust
Shoot To Thrill
Hell Ain’t A Bad Place To Be
Back In Black
Play Ball
Dirty Deeds Done Dirt Cheap
Thunderstruck
High Voltage
Rock And Roll Train
Hells Bells
Baptism By Fire
You Shook Me All Night Long
Sin City
Shot Down In Flames
Have A Drink On Me
T.N.T.
Whole Lotta Rosie
Let There Be Rock
Encore
Highway To Hell
For Those About To Rock We Salute You

Thursday, January 22, 2015

The Greatest Album Is...Highway To Hell






Every band that has been around for a while and released great records runs into this debate; what is their greatest album? The greatest album is…is a column dedicated to tackling that age old question. What is the greatest album recorded by AC/DC? Join with us now as the question is answered and arguments are made that the greatest AC/DC album is Highway To Hell.

It starts with one of the most recognizable riffs in rock and roll history. By the time the first notes to “Highway To Hell” are finished, every listener with ears knows what song is playing. It finishes with the very original, albeit highly controversial, “Night Prowler,” an exceptional song about a stalker, or a boy sneaking into his girlfriend’s room, depending on which report is accepted. And in between are eight hard rocking, heavy hitting, extremely delightful, rock and roll songs with absolutely no filler.

The last album that Bon Scott ever recorded with AC/DC was 1979’s Highway To Hell. It is also the best album that AC/DC ever released. In the spring of 1979, the band set out to record the follow up to Powerage. When those sessions finished, AC/DC had Bon Scott’s last recorded album and their finest work ever. Not one song on Highway To Hell should be skipped. Each one is a magnificent work of art in its own right.

Highway To Hell is a pure hard rock masterpiece. Filled with themes of sexual desires, hard rocking riffs that no guitarist can duplicate, and the entertaining, double entendre lyrics that the band has become famous for; this was AC/DC at their best. There is a sense of urgency in all of Angus Young’s leads, evident on sensational tracks like “Touch Too Much,” “Highway To Hell,” and “If You Want Blood (You Got It).” The lyrics maintain the typical AC/DC playful style of drinking, partying, loving women of all types, and playing rock and roll.

Highway To Hell also contains one of the most overlooked gems recorded by AC/DC---“Love Hungry Man.” This is a terrific song that many fans have simply forgotten exists. A romper stomper bar room brawl of a song, “Love Hungry Man” highlights Bon Scott at his most prodigious. The yowls were perfect, the energy in his voice was simply amazing, and Angus’ guitar solo on this magnum opus is one that leaves other guitarists in envy. Go ahead and re-listen to this song and then ask yourself why in the world the band doesn’t play this one in concert more often.

Highway To Hell vaulted AC/DC to the top ranks of hard rock acts. And while Let There Be Rock saw the creation of one of their signature live tracks, and Dirty Deeds Done Dirt Cheap had a much more blatant sexual overtone, it was Highway To Hell that saw AC/DC reigning as champions of rock. Their future was full moon bright, and if Bon Scott had lived on, who knows where the band would have ended up.

AC/DC still managed to make incredible records with Brian Johnson after Bon Scott passed away, but there has never been another record quite like Highway To Hell. Every song is a sing along anthem that can be enjoyed over and over and over again. Every note of music is a song unto itself. Every Bon Scott yowl is a joyous celebration of all things grand. Yes, Back In Black is an incredible album in its own right, and yes, a huge argument can be made that Back In Black is AC/DC’s best album, but Back In Black is more of a celebration of the AC/DC yet to come. Highway To Hell is a celebration of the AC/DC that was at that moment. And that AC/DC was a joyous romp of young lads hitting their stride and reaching their musical peak.

The greatest AC/DC album is…Highway To Hell

Vital Statistics
Released: July 27, 1979
Produced by Robert “Mutt” Lange
RIAA Sales: 7x Platinum
Peak Position on US Charts:  17
Ranked number 200 in Rolling Stone Magazine’s list of 500 greatest albums of all time

Singles
Highway To Hell

Track Listing
Highway To Hell
Girls Got Rhythm
Walk All Over You
Touch Too Much
Beating Around The Bush
Shot Down In Flames
Get It Hot
If You Want Blood (You’ve Got It)
Love Hungry Man
Night Prowler

Band Members
Bon Scott – Vocals
Angus Young – Lead Guitar
Malcom Young – Rhythm Guitar
Cliff Williams – Bass Guitar
Phil Rudd – Drums